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If there is a match, you will be called or texted within minutes after the event with the contact information of the person who mutually had interest in meeting you. Once the results have been provided, feel free to chat and set up a date, or go home and chat over the phone. The rest is up to you, but it is recommended to contact each other within 24 hours. Please feel free to bring a single friend to this event!

Please also feel free to come alone. This is a great way to meet and connect and potentially find a partner!


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We will have a good mix of attendees ranging from 40's, 50's and early 60's. No players! Please be respectful of people of the opposite sex. Allan S. Christine L. Kathleen T. Skip to content. Hosted by Denise. Ramapo Mountain Singles 40's's's Active Singles. Public group? Attendees The perception of the word "rave" changed again in the late s when the term was revived and adopted by a new youth culture, possibly inspired by the use of the term in Jamaica. In the mid to late s, a wave of psychedelic and other electronic dance music , most notably acid house music, emerged from acid house music parties in the mid-to-late s in the Chicago area in the United States.

In the late s, the word "rave" was adopted to describe the subculture that grew out of the acid house movement. By the s, genres such as acid , breakbeat hardcore , hardcore , happy hardcore , gabber , post-industrial and electronica were all being featured at raves, both large and small. There were mainstream events which attracted thousands of people up to 25, [ citation needed ] instead of the 4, that came to earlier warehouse parties.

Acid house music parties were first re-branded "rave parties" in the media, during the summer of by Genesis P-Orridge Neil Andrew Megson during a television interview; however, the ambience of the rave was not fully formed until the early s. In , raves were held "underground" in several cities, such as Berlin , Milan and Patras , in basements, warehouses and forests. British politicians responded with hostility to the emerging rave party trend.

Politicians spoke out against raves and began to fine promoters who held unauthorised parties. Police crackdowns on these often unauthorised parties drove the rave scene into the countryside. The word "rave" somehow caught on in the UK to describe common semi-spontaneous weekend parties occurring at various locations linked by the brand new M25 London orbital motorway that ringed London and the Home Counties. It was this that gave the band Orbital their name. These ranged from former warehouses and industrial sites in London, to fields and country clubs in the countryside.

The genre "rave", also known as hardcore by early ravers, first appeared amongst the UK "acid" movement during the late s at warehouse parties and other underground venues, as well as on UK pirate radio stations. Rave music is usually presented in a DJ mix set, although live performances are not uncommon.

Downtempo and less dance oriented styles which are sometimes called chill-out music , that might be heard in a rave "chill-out" room or at a rave that plays slower electronic music includes:. This level of secrecy, necessary for avoiding any interference by the police, also on account of the illicit drug use, enabled the ravers to use locations they could stay in for ten hours at a time.

It promoted the sense of deviance and removal from social control.

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In more recent years, [ when? Events like Electric Daisy Carnival and Tomorrowland are typically held at the same venue that holds mass numbers of people. Some raves make use of pagan symbolism. Modern raving venues attempt to immerse the raver in a fantasy-like world. Indigenous imagery and spirituality can be characteristic in the Raving ethos.

In both the New Moon and Gateway collectives, "pagan altars are set up, sacred images from primitive cultures decorate the walls, and rituals of cleansing are performed over the turntables and the dance floor" [31] This type of spatial strategy is an integral part of the raving experience because it sets the initial "vibe" in which the ravers will immerse themselves. This said "vibe" is a concept in the raver ethos that represents the allure and receptiveness of an environment's portrayed and or innate energy.

The landscape is an integral feature in the composition of rave, much like it is in pagan rituals. For example, The Numic Ghost Dancers rituals were held on specific geographical sites, considered to hold powerful natural flows of energy. These sites were later represented in the rhythmic dances, to achieve a greater level of connectivity. A sense of participation in a group event is among the chief appeals of rave music and dancing to pulsating beats is its immediate outlet.

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Thus, the electronic, rave and club dances refer to the street dance styles that evolved alongside electronic music culture. Such dances are street dances since they evolved alongside the underground rave and club movements, without the intervention of dance studios.


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These dances were originated in some 'scenes' around the world, becoming known only to ravers or clubgoers who attempt to these locations. They were originated at some point that certain moves had begun to be performed to several people at those places, creating a completely freestyle, yet still highly complex set of moves, adaptable to every dancer change and dance whatever they want based on these moves. Many rave dancing techniques suggest using your body as an extension of the music, to loosen up, and let the music flow through the body to create a unique form of movement.


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  6. A common feature shared by all these dances, along with being originated at clubs, raves and music festivals around the world and in different years, is that when YouTube and other social media started to become popular around , these dances began to be popularised by videos of raves performing them, recording and uploading their videos. Also, the way of teaching and learning them have changed.

    Now, [ when? Due to the lack of studies dedicated to those dances, combined with poor and inaccurate information of them available on the Internet, it is hard to find reliable information. Since the late s, rave fashion has undergone constant evolution with each new generation of ravers. Many of the rave fashion trends have appeared internationally, but there were also individual developments from region to region and from scene to scene.

    At early rave parties, often costume-like clothes and garments with signal color look such as protective suits, safety vests , dust and gas masks were worn and combined with accessories such as vacuum cleaners, homemade glasses, pacifiers and whistles. Clothing with slogans such as "Peace, Love, Unity" and smiley-face T-shirts first appeared with the acid house movement of the s. Further popular themes of the early rave scene were plastic aesthetics, various fetish styles, DIY , s, second-hand optics, retro sportswear such as Adidas tracksuits , sex showing much skin and nudity, e.

    Common fashion styles of the s include tight-fitting nylon shirts, tight nylon quilted vests, bell-bottoms , neoprene jackets, studded belts, platform shoes , jackets, scarves and bags made of flokati fur, fluffy boots and phat pants , often in bright and neon colours. Also gaudy coloured hair, dreadlocks, tattoos and piercings came into fashion with ravers.

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    Widespread accessories were wristbands and collars, rings and glow sticks , as well as record bags made of truck tarpaulins. For example, the typical gabber or psytrance raver dressed significantly different from "normal" ravers, but common basic features remained recognisable. Since the s, the clothing style of the rave culture remains heterogeneous, as do its followers. Particularly in North America, rave fashion continues to be characterised by colourful clothing and accessories, most notably the "kandi" jewellery that fluoresces under ultraviolet light.

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    This style of attire was again taken up by the fashion industry and marketed as "rave fashion" or "festival fashion", now includling all kinds of accessories to create unique looks depending on event. Some ravers participate in one of four light-oriented dances, called glowsticking , glowstringing , gloving , and lightshows.

    Of the four types of light-orientated dances, gloving in particular has evolved beyond and outside of the rave culture. Other types of light-related dancing include LED lights, flash-lights and blinking strobe lights. LEDs come in various colours with different settings. Gloving has evolved into a separate dance form that has grown exponentially in the last couple of years. The traditional Rav'n lights are limited now, but many stores have developed newer, brighter, and more advanced version of lights with a plethora of colours and modes—modes include solid, stribbon, strobe, dops, hyper flash, and other variations.

    Among the various elements of s disco subculture that ravers drew on, in addition to basing their scene around dance music mixed by DJs, ravers also inherited the positive attitude towards using club drugs to "enhanc[e] However, disco dancers and ravers preferred different drugs. According to the FBI, raves are one of the most popular venues where club drugs are distributed, and as such feature a prominent drug subculture.

    Nitrites originally came as small glass capsules that were popped open, which led to the nickname "poppers. In the U. Groups that have addressed alleged drug use at raves e. In Calgary, Alberta became the first major municipality in Canada to pass a bylaw with respect to raves. The intent of the bylaw was to ensure that raves would be safe for participants, and also not unduly disruptive to adjacent neighbourhoods. The bylaw was created in consultation with representatives from the municipality, the province of Alberta, and the rave community.

    By , acid house was making as significant an impact on popular consciousness in Germany and Central Europe as it had in England. Motte established the Ufo Club , an illegal party venue, and co-founded the Love Parade. In , a number of party venues closed, including Ufo , and the Berlin Techno scene centred itself around three locations close to the foundations of the Berlin Wall: the E-Werk , the Bunker and the now legendary Tresor.

    Across Europe, rave culture was becoming part of a new youth movement. DJs and electronic-music producers such as Westbam proclaimed the existence of a "raving society" and promoted electronic music as legitimate competition for rock and roll. Indeed, electronic dance music and rave subculture became mass movements.